Mercurial > hg > xemacs-beta
diff man/mule/languages.texi @ 98:0d2f883870bc r20-1b1
Import from CVS: tag r20-1b1
| author | cvs |
|---|---|
| date | Mon, 13 Aug 2007 09:13:56 +0200 |
| parents | 131b0175ea99 |
| children | 360340f9fd5f |
line wrap: on
line diff
--- a/man/mule/languages.texi Mon Aug 13 09:12:43 2007 +0200 +++ b/man/mule/languages.texi Mon Aug 13 09:13:56 2007 +0200 @@ -4,7 +4,7 @@ @titlepage @sp 6 -@ceter @titlefont{Foreign Languages} +@center @titlefont{Foreign Languages} @sp 4 @center Version 2.1 @sp 5 @@ -618,9 +618,9 @@ read the following text, which contains both ASCII and Thai characters: @example -Mule 0,T$W1M(B editor GNU Emacs 0,T7Uh106Y1!`0>Th1A$GRAJRARC6c0Ki1c0*i1d04i10!Q1:@RIRKERB(B ,Tf(B ,T@RIR(B -0,T;Q1(0(X10:Q1909Ui1(B 0,TAU1(B Mule 0,TCXh19(B 1 0,T+Vh1'c0*i1(B GNU Emacs 0,TCXh19(B 18 ,T`0;g190R9(B ,TaEP(B Mule 0,TCXh19(B 2 0,T+Vh1'c0*i1(B -GNU Emacs 0,TCXh19(B 19 ,T`0;g190R9(B ,T`)>RP(B Mule 0,TCXh19(B 2 ,T`07h1R09Qi1907Uh1(P06Y1!0>Q129R;0CQ1:;0CX1'05h1Md;(B +Mule 0-T¤×1Í editor GNU Emacs 0·Õè10¶Ù1¡à0¾Ôè1Á¤ÇÒÁÊÒÁÒöã0Ëé1ã0ªé1ä0´é10¡Ñ1ºÀÒÉÒËÅÒ æ ÀÒÉÒ-A +0-T»Ñ1¨0¨Ø10ºÑ1¹0¹Õé1 0ÁÕ1 Mule 0ÃØè1¹ 1 0«Öè1§ã0ªé1 GNU Emacs 0ÃØè1¹ 18 à0»ç1¹°Ò¹ áÅÐ Mule 0ÃØè1¹ 2 0«Öè1§ã0ªé1-A +GNU Emacs 0-TÃØè1¹ 19 à0»ç1¹°Ò¹ ੾ÒÐ Mule 0ÃØè1¹ 2 à0·è1Ò0¹Ñé1¹0·Õè1¨Ð0¶Ù1¡0¾Ñ1²¹Ò»0ÃÑ1º»0ÃØ1§0µè1Íä»-A @end example Bear in mind that all fonts used in Mule must be of fixed width. @@ -663,23 +663,23 @@ The Thai keymap in quail-mode looks like this: @example -,TE(B# /,Tq(B _,Tr(B ,T@s(B ,T6t(B ,TXY(B ,TV0Qi1(B ,T$u(B ,T5v(B ,T(w(B ,T"x(B ,T*y(B ,T_o(B ,T#%(B - ,Tfp(B ,Td(B\" ,TS.(B ,T>1(B ,TP8(B ,TQm(B ,TUj(B ,TC3(B ,T9O(B ,TB-(B ,T:0(B ,TE(B, - ,T?D(B ,TK&(B ,T!/(B ,T4b(B ,T`,(B ,Tig(B ,Thk(B ,TRI(B ,TJH(B ,TG+(B ,T'F(B - ,T<(B( ,T;(B) ,Ta)(B ,TMN(B ,TTZ(B ,TWl(B 0,T7n1(B ,TA2(B ,TcL(B ,T=(B? +-TÅ# /ñ _ò Àó ¶ô ØÙ Ö0Ñé1 ¤õ µö ¨÷ ¢ø ªù ßï £¥-A + -Tæð ä\" Ó® ¾± и Ñí Õê ó ¹Ï  º° Å,-A + -T¿Ä ˦ ¡¯ ´â ଠéç èë ÒÉ ÊÈ Ç« §Æ-A + -T¼( ») á© ÍÎ ÔÚ ×ì 0·î1 Á² ãÌ ½?-A @end example The difference from the ordinal Thai keyboards are: @itemize @bullet @item -@samp{,T_(B} and @samp{,To(B} are assigned to @key{\} and @key{|} +@samp{-Tß} and @samp{ï} are assigned to @key{\} and @key{|}-A @item -@samp{,T#(B} and @samp{,T%(B} are assigned to @key{`} and @key{~} +@samp{-T£} and @samp{¥} are assigned to @key{`} and @key{~}-A @item -We don't know where to assign characters @samp{,Tz(B} and @samp{,T{(B} +We don't know where to assign characters @samp{-Tú} and @samp{û}-A @end itemize To exit quail-mode, hit @kbd{C-]} once again. @@ -737,14 +737,14 @@ the following text, which contains both ASCII and Vietnamese characters: @example -Mule l,1`(B m,15(Bt s,1q(B gia c,1t(Bng v,1+(B ,1p(Ba ng,1t(Bn ng,1f(B cho GNU Emacs [MULtilingual -Enhancement to GNU Emacs]. Kh,1t(Bng nh,1f(Bng n,1s(B c,1s(B th,1,(B x,1X(B l,1}(B ch,1f(B ASCII (7 -bit) v,1`(B ISO Latin-1 (8 bit) m,1`(B c,1r(Bn c,1s(B th,1,(B x,1X(B l,1}(B Nh,1'(Bt ng,1f(B, Hoa ng,1f(B, H,1`(Bn -ng,1f(B (16 bit) m,1c(B h,1s(Ba theo ti,1j(Bu chu,1&(Bn ISO2022 v,1`(B c,1a(Bc d,18(B b,1d(Bn (th,1m(B d,1x(B nh,1_(B -EUC, Compound Text). ,2p,1/(Bi v,1>(Bi Hoa ng,1f(B, Mule c,1s(B th,1,(B ph,1x(Bc v,1x(B cho c,1d(B GB l,1g(Bn -Big5. Ngo,1`(Bi ra, hi,1.(Bn nay ch,1z(Bng t,1t(Bi c,1{(Bng ph,1x(Bc v,1x(B cho ch,1f(B Th,1a(Bi d,1q(Ba tr,1j(Bn -TIS620 m,1#(Bc d,1%(Bu ti,1j(Bu chu,1&(Bn n,1`(By kh,1t(Bng tu,1b(Bn theo ISO nh,1_(Bng r,1$(Bt ph,11(B th,1t(Bng ,17(B -Th,1a(Bi Lan. +Mule l-1à mµt sñ gia công v« ða ngôn ngæ cho GNU Emacs [MULtilingual-A +Enhancement to GNU Emacs]. Kh-1ông nhæng nó có th¬ xØ lý chæ ASCII (7-A +bit) v-1à ISO Latin-1 (8 bit) mà còn có th¬ xØ lý Nh§t ngæ, Hoa ngæ, Hàn-A +ng-1æ (16 bit) mã hóa theo tiêu chu¦n ISO2022 và các d¸ bän (thí dø nhß-A +EUC, Compound Text). -2ð-1¯i v¾i Hoa ngæ, Mule có th¬ phøc vø cho cä GB lçn-A +Big5. Ngo-1ài ra, hi®n nay chúng tôi cûng phøc vø cho chæ Thái dña trên-A +TIS620 m-1£c d¥u tiêu chu¦n này không tuân theo ISO nhßng r¤t ph± thông ·-A +Th-1ái Lan.-A @end example Bear in mind that all fonts used in Mule must be of fixed width. @@ -804,21 +804,21 @@ @example effect | postfix | examples ------------+---------+---------- - breve | ( | a( -> ,1e(B - circumflex | ^ | a^ -> ,1b(B - horn | + | o+ -> ,1=(B + breve | ( | a( -> -1å-A + circumflex | ^ | a^ -> -1â-A + horn | + | o+ -> -1½-A ------------+---------+---------- - acute | ' | a' -> ,1a(B - grave | ` | a` -> ,1`(B - hook above | ? | a? -> ,1d(B - tilde | ~ | a~ -> ,1c(B - dot below | . | a. -> ,1U(B + acute | ' | a' -> -1á-A + grave | ` | a` -> -1à-A + hook above | ? | a? -> -1ä-A + tilde | ~ | a~ -> -1ã-A + dot below | . | a. -> -1Õ-A ------------+---------+---------- - d bar | dd | dd -> ,1p(B + d bar | dd | dd -> -1ð-A ------------+---------+---------- no compose | \ | a\. -> a. ------------+---------+---------- - combination| (~ | a(~ -> ,1G(B + combination| (~ | a(~ -> -1Ç-A @end example To exit quail-mode, hit @kbd{C-]} once again. @@ -875,8 +875,8 @@ contains many accented characters: @example -,A+(BTout Fran,Ag(Bais de bon go,A{(Bt, m,Aj(Bme r,Ai(Bsident de Capharna,A|(Bm, doit payer la -d,An(Bme ,A`(B No,Ak(Bl ou ,A`(B P,Ab(Bques, en esp,Ah(Bces, en gn,At(Ble ou en ma,Ao(Bs.,A;(B +«Tout Français de bon goût, même résident de Capharnaüm, doit payer la +dîme à Noël ou à Pâques, en espèces, en gnôle ou en maïs.» @end example Bear in mind that all fonts used in Mule must be of fixed width. For @@ -924,7 +924,7 @@ The Quail packages are divided into two groups. The first one is for naive users. Most of the accented letters can be input by composing two -characters. For example, you will get an @samp{,Ai(B} (@samp{e} with acute +characters. For example, you will get an @samp{é} (@samp{e} with acute accent) by typing an @samp{e} followed by a @samp{'} (single quote). @example @@ -995,10 +995,10 @@ acute accent both in upper case and in lower case: @example -ISO 8859-2 (Latin-2): ,BA(B ,Ba(B ,BI(B ,Bi(B ,BM(B ,Bm(B ,BZ(B ,Bz(B -ISO 8859-3 (Latin-3): ,CA(B ,Ca(B ,CI(B ,Ci(B ,CM(B ,Cm(B ,CZ(B ,Cz(B -ISO 8859-4 (Latin-4): ,DA(B ,Da(B ,DI(B ,Di(B ,DM(B ,Dm(B ,DZ(B ,Dz(B -ISO 8859-9 (Latin-5): ,MA(B ,Ma(B ,MI(B ,Mi(B ,MM(B ,Mm(B ,MZ(B ,Mz(B +ISO 8859-2 (Latin-2): -BÁ á É é Í í Ú ú-A +ISO 8859-3 (Latin-3): -CÁ á É é Í í Ú ú-A +ISO 8859-4 (Latin-4): -DÁ á É é Í í Ú ú-A +ISO 8859-9 (Latin-5): -MÁ á É é Í í Ú ú-A @end example Bear in mind that all fonts used in Mule must be of fixed width. @@ -1105,10 +1105,10 @@ to read the following Ukrainian folk song: @example -,L2WoR(B ,LQX(B ,Lo(B ,LQP]Tc`c(B -,LBP(B ,LY(B ,LWPS`PR(B, ,Li^(B ,LW]PR(B. -,LGU`UW(B ,Lbc(B ,LQP]Tc`c(B -,L1P]Tc`Xab^\(B ,LabPR(B. +-L²×ïÒ ÑØ ï ÑÐÝÔãàã-A +-LÂÐ Ù ×ÐÓàÐÒ, éÞ ×ÝÐÒ.-A +-LÇÕàÕ× âã ÑÐÝÔãàã-A +-L±ÐÝÔãàØáâÞÜ áâÐÒ.-A @end example Bear in mind that all fonts used in Mule must be of fixed width. @@ -1241,12 +1241,12 @@ read the following poem: @example -,FK_co(B ,Faj|la(B -,Fha(B ,Fido}le(B ,Ftir(B ,Falucdaki]r(B ,Fm(B',Famh_foum(B -,Fta(B ,Fl\qlaqa(B ,Fma(B ,Fk\lpoum(B ,Fstom(B ,F^kio(B -,Ftg(B ,Fh\kassa(B ,Fma(B ,Fjulat_fei(B -,Fk_co(B ,Faj|la(B, -,Fma(B ,Fsgjyho}le(B ,Fk_co(B ,Fxgk|teqa(B. +-FËßãï áêüìá-A +-Fèá éäïýìå ôéò áìõãäáëéÝò í'áíèßæïõí-A +-Fôá ìÜñìáñá íá ëÜìðïõí óôïí Þëéï-A +-Fôç èÜëáóóá íá êõìáôßæåé-A +-Fëßãï áêüìá,-A +-Fíá óçêùèïýìå ëßãï øçëüôåñá.-A @end example Bear in mind that all fonts used in Mule must be of fixed width. @@ -1278,7 +1278,7 @@ @subsection Inputing Greek To input Greek characters, use the Quail system. Hit @kbd{C-]} to -turn into quail-mode. If you do not see the string @samp{[,FEkkgmij\(B]} in +turn into quail-mode. If you do not see the string @samp{[-FÅëëçíéêÜ]} in-A the mode-line, then hit @kbd{M-s} and specify the package name @samp{greek}. @key{SPC} works as the completion key. If you hit @key{RET} without specifying a package name, the default package (shown @@ -1288,18 +1288,18 @@ @example 1! 2@ 3# 4$ 5% 6^ 7& 8* 9( 0) -_ =+ `~ - ,F7/(B ,FrS(B ,FeE(B ,FqQ(B ,FtT(B ,FuU(B ,FhH(B ,FiI(B ,FoO(B ,FpP(B [{ ]} - ,FaA(B ,FsS(B ,FdD(B ,FvV(B ,FcC(B ,FgG(B ,FnN(B ,FjJ(B ,FkK(B ,F4((B '" \| - ,FfF(B ,FwW(B ,FxX(B ,FyY(B ,FbB(B ,FmM(B ,FlL(B ,; .: /? + -F·¯ òÓ åÅ ñÑ ôÔ õÕ èÈ éÉ ïÏ ðÐ [{ ]}-A + -FáÁ óÓ äÄ öÖ ãà çÇ îÎ êÊ ëË ´¨ '" \|-A + -FæÆ ÷× øØ ùÙ â íÍ ìÌ ,; .: /? -A @end example - The keys @kbd{,F4(B} (@kbd{;} on ASCII keyboard) and @kbd{,F((B} (@kbd{:} on + The keys @kbd{-F´} (@kbd{;} on ASCII keyboard) and @kbd{¨} (@kbd{:} on-A ASCII keyboard) work as dead keys. For example, @example -@samp{,Fa(B} + @samp{,F4(B} becomes @samp{,F\(B} -@samp{,Fi(B} + @samp{,F((B} becomes @samp{,Fz(B} -@samp{,Fi(B} + @samp{,F((B} + @samp{,F4(B} becomes @samp{,F@(B} +@samp{-Fá} + @samp{´} becomes @samp{Ü}-A +@samp{-Fé} + @samp{¨} becomes @samp{ú}-A +@samp{-Fé} + @samp{¨} + @samp{´} becomes @samp{À}-A @end example To exit quail-mode, hit @kbd{C-]} once again. @@ -1345,7 +1345,7 @@ read the following Hebrew alphabet: @example -[2],H`abcdefghijklmnopqrstuvwxyz[0](B +›2]-Hàáâãäåæçèéêëìíîïðñòóôõö÷øùú›0]-A @end example Bear in mind that all fonts used in Mule must be of fixed width. @@ -1416,10 +1416,10 @@ The Hebrew keymap in quail-mode looks like this: @example -1[2]![0] 2[2]@[0] 3[2]#[0] 4[2]$[0] 5[2]%[0] 6[2]^[0] 7[2]&[0] 8[2]*[0] 9[2]([0] 0[2])[0] [2]-_[0] [2]=+[0] [2];~[0] [2]\|[0] - [2]/[0]Q [2]'[0]W [2],Hw[0](BE [2],Hx[0](BR [2],H`[0](BT [2],Hh[0](BY [2],He[0](BU [2],Ho[0](BI [2],Hm[0](BO [2],Ht[0](BP [2][{[0] [2]]}[0] - [2],Hy[0](BA [2],Hc[0](BS [2],Hb[0](BD [2],Hk[0](BF [2],Hr[0](BG [2],Hi[0](BH [2],Hg[0](BJ [2],Hl[0](BK [2],Hj[0](BL [2],Hs(B:[0] [2],"[0] - [2],Hf[0](BZ [2],Hq[0](BX [2],Ha[0](BC [2],Hd[0](BV [2],Hp[0](BB [2],Hn[0](BN [2],Hv[0](BM [2],Hz(B<[0] [2],Hu(B>[0] [2].?[0] +1! 2@ 3# 4$ 5% 6^ 7& 8* 9( 0) -_ =+ ;~ \| + /Q 'W ›2]-H÷›0]E ›2]ø›0]R ›2]à›0]T ›2]è›0]Y ›2]å›0]U ›2]ï›0]I ›2]í›0]O ›2]ô›0]P [{ ]} -A + ›2]-Hù›0]A ›2]ã›0]S ›2]â›0]D ›2]ë›0]F ›2]ò›0]G ›2]é›0]H ›2]ç›0]J ›2]ì›0]K ›2]ê›0]L ›2]ó›0](B:[0] [2],"[0] -A + [2],H›2]-Hæ›0]Z ›2]ñ›0]X ›2]á›0]C ›2]ä›0]V ›2]ð›0]B ›2]î›0]N ›2]ö›0]M ›2]ú›0](B<[0] [2],H›2]õ›0](B>[0] [2].?[0] -A @end example With @key{SFT} keys, you can input upper case ASCII characters even @@ -1536,7 +1536,7 @@ following famous words: @quotation -[2](3U(4?(3G![;=!8RYa(4Z(3&[0](B +[2](3›2](3U(4?(3G![;=!8RYa(4Z(3&›0](B @end quotation For the Arabic non-spacing marks, only two of them, i.e., hamza and @@ -1575,7 +1575,7 @@ +-------------+ +------------+ C-] +-----------+ @end example - The string @samp{[2](3JG:a=[0](B} in the mode-line indicates that you are in + The string @samp{›2](3JG:a=›0](B} in the mode-line indicates that you are in arabic-mode and the keyboard produces Arabic characters; @samp{Arabic} indicates that you are in arabic-mode and the keyboard produces ASCII characters. @@ -1617,17 +1617,17 @@ +-------------------+ +----------------------------------------------------------------+ -|[2](3"[0](B | | | | | | | |[2](3#[0](B |[2](3$[0](B | | | | +|›2](3"›0](B | | | | | | | |›2](3#›0](B |›2](3$›0](B | | | | |(2"(B 1|(2#(B 2|(2$(B 3|(2%(B 4|(2&(B 5|(2'(B 6|(2((B 7|(2)(B 8|(2*(B 9|(2!(B 0| -| =| `| +----------------------------------------------------------------+ | | | | | | | | | | | | | - |[2](4A[0](B q|[2](4=[0](B w|[2](4S[0](B e|[2](4Q[0](B r|[2](4O[0](B t|[2](4M[0](B y|[2](3Z[0](B u| i|[2](41[0](B o|[2](4-[0](B p|[2](4)[0](B [|[2](4g[0](B ]| + |›2](4A›0](B q|›2](4=›0](B w|›2](4S›0](B e|›2](4Q›0](B r|›2](4O›0](B t|›2](4M›0](B y|›2](3Z›0](B u| i|›2](41›0](B o|›2](4-›0](B p|›2](4)›0](B [|›2](4g›0](B ]| +-------------------------------------------------------------+ - | | | |[2](4e[0](B |[2](3.[0](B | | | | | [2](4k[0](B| |[2](3,[0](B | - |[2](49[0](B a|[2](45[0](B s|[2](4_[0](B d|[2](4#[0](B f|[2](38[0](B g|[2](4%[0](B h|[2](4Y[0](B j|[2](4[[0](B k|[2](3T[0](B l|[2](4U[0](B ;| '| \| + | | | |›2](4e›0](B |›2](3.›0](B | | | | | ›2](4k›0](B| |›2](3,›0](B | + |›2](49›0](B a|›2](45›0](B s|›2](4_›0](B d|›2](4#›0](B f|›2](38›0](B g|›2](4%›0](B h|›2](4Y›0](B j|›2](4[›0](B k|›2](3T›0](B l|›2](4U›0](B ;| '| \| +-----------------------------------------------------------+ - | | | |[2](30[0](B [2](3-[0](B|[2](3h[0](B | | |[2](3*[0](B |[2](3+[0](B |[2](3)[0](B | - |[2](4I[0](B z|[2](4E[0](B x|[2](3D[0](B c|[2](3B[0](B v|[2](3H[0](B b|[2](3F[0](B n|[2](3^[0](B m|[2](3%[0](B ,|[2](3&[0](B .| /| + | | | |›2](30›0](B ›2](3-›0](B|›2](3h›0](B | | |›2](3*›0](B |›2](3+›0](B |›2](3)›0](B | + |›2](4I›0](B z|›2](4E›0](B x|›2](3D›0](B c|›2](3B›0](B v|›2](3H›0](B b|›2](3F›0](B n|›2](3^›0](B m|›2](3%›0](B ,|›2](3&›0](B .| /| +-------------------------------------------------+ @end example @@ -1646,17 +1646,17 @@ Upper : shifted Lower : unshifted +----------------------------------------------------------------+ -|! [2](3"[0](B |@ |# |$ |% |^ |& |* |( [2](3#[0](B |) [2](3$[0](B |_ |+ |~ [2](3+[0](B | -|1 (2"(B |2 (2#(B |3 (2$(B |4 (2%(B |5 (2&(B |6 (2'(B |7 (2((B |8 (2)(B |9 (2*(B |0 (2!(B |- |= |` [2](4M[0](B| +|! ›2](3"›0](B |@ |# |$ |% |^ |& |* |( ›2](3#›0](B |) ›2](3$›0](B |_ |+ |~ ›2](3+›0](B | +|1 (2"(B |2 (2#(B |3 (2$(B |4 (2%(B |5 (2&(B |6 (2'(B |7 (2((B |8 (2)(B |9 (2*(B |0 (2!(B |- |= |` ›2](4M›0](B| +----------------------------------------------------------------+ - |Q |W |E |R |T [2](4E[0](B|Y |U |I |O |P |{ |} | - |q [2](4S[0](B|w [2](3^[0](B |e |r [2](3F[0](B |t [2](4%[0](B|y [2](4_[0](B|u |i |o [2](3<[0](B |p |[ |] | + |Q |W |E |R |T ›2](4E›0](B|Y |U |I |O |P |{ |} | + |q ›2](4S›0](B|w ›2](3^›0](B |e |r ›2](3F›0](B |t ›2](4%›0](B|y ›2](4_›0](B|u |i |o ›2](3<›0](B |p |[ |] | +-------------------------------------------------------------+ - |A [2](4][0](B|S [2](4=[0](B|D [2](4A[0](B|F |G [2](4O[0](B|H [2](4-[0](B|J |K [2](41[0](B|L |: [2](3'[0](B |" [2](3-[0](B || [2](3,[0](B | - |a [2](38[0](B |s [2](45[0](B|d [2](3B[0](B |f [2](4Q[0](B|g |h [2](3Z[0](B |j [2](4)[0](B|k [2](4U[0](B|l [2](4Y[0](B|; [2](3([0](B |' [2](3*[0](B |\ | + |A ›2](4]›0](B|S ›2](4=›0](B|D ›2](4A›0](B|F |G ›2](4O›0](B|H ›2](4-›0](B|J |K ›2](41›0](B|L |: ›2](3'›0](B |" ›2](3-›0](B || ›2](3,›0](B | + |a ›2](38›0](B |s ›2](45›0](B|d ›2](3B›0](B |f ›2](4Q›0](B|g |h ›2](3Z›0](B |j ›2](4)›0](B|k ›2](4U›0](B|l ›2](4Y›0](B|; ›2](3(›0](B |' ›2](3*›0](B |\ | +-----------------------------------------------------------+ - |Z [2](4I[0](B|X |C |V |B |N |M |< |> |? [2](3)[0](B | - |z [2](3H[0](B |x [2](3D[0](B |c [2](4'[0](B|v |b [2](4#[0](B|n [2](4[[0](B|m [2](3T[0](B |, [2](3%[0](B |. [2](3&[0](B |/ [2](49[0](B| + |Z ›2](4I›0](B|X |C |V |B |N |M |< |> |? ›2](3)›0](B | + |z ›2](3H›0](B |x ›2](3D›0](B |c ›2](4'›0](B|v |b ›2](4#›0](B|n ›2](4[›0](B|m ›2](3T›0](B |, ›2](3%›0](B |. ›2](3&›0](B |/ ›2](49›0](B| +-------------------------------------------------+ COMBINATIONS: @@ -2532,7 +2532,7 @@ read the following line: @quotation -,0I!J(B ,0!K(B ,0'(B ,0Z% S(B ,0V!BS(B ,0!S(B ,0p% p@ rp" (B ,0Dp$V'DB'K(B +-0É¡Ê ¡Ë § Ú¥ Ó Ö¡ÂÓ ¡Ó ð¥ ðÀ òð¢ Äð¤Ö§Ä§Ë-A @end quotation Bear in mind that all fonts used in Mule must be of fixed width.